ALBUM: Out Now ​

For two months earlier this year, I had the wild privilege of traveling to the small town of Skagastrond, Iceland, as a part of an artist residency. Each day, I woke up and looked out my window to see a breathtaking view of the mountain Spákonufell.

I am delighted to announce the release of my album, “Spákonufell,” which was written and recorded in in the freezer of an old fish factory located in this town. This is also the mountain that graces my album cover in artwork by the massively talented Lena J. Fahlén.

Collaborations

In the freezer of an old fish factory in this tiny town, I wrote and recorded my newest album — which I named “Spákonufell” for the mountain that greeted me every morning. The collaborations and experiences that brought this album to life changed me and allowed me to be myself. Fully.

Daughter of Nai

Daughter of Nai is a Ghanaian-American writer and digital media artist. Her work is grounded in themes of otherness, black womanhood, bodily autonomy, and displacement. 

Scavenger, fed: Words By Naakai Addy + Music By Lara Kroeker + Violin parts by Cami Gliga + Beatrix McKenzie 

Lena Fahlén

Lena is a visual artist from Sweden. She is interested in how humans and nature affect each other. Her works have often related to the four elements, soil, fire, air and water.

Album Cover: The mountain that graces my album cover in artwork is by the massively talented Lena J. Fahlén.

Dylan Fitzgibbons

Dylan, currently based in Phoenix, Arizona is an interdisciplinary artist that explores the notion of thin places, mythologies / folktales, and the meeting place of real and imagined.

Spákonufell: A collaboration with interviews by Dylan + words by Anne Renahan + Music by Lara Kroeker

Anne Renahan

Anne is a Photographer and book-maker based in Scotland.

You Left and Now I’m Thinking: Words by Anne Renahan + Ocean Sounds by Dylan Fitzgibbons

Spákonufell: Interviews by Dylan + words by Anne Renahan

AKaiser

AKaiser is the Pushcart Prize-nominated author of glint, co-winner of the inaugural Milk & Cake Book Prize (2019). AKaiser’s richly lyrical glint is a book of refractions and fracturing.

Astronaut, or Blues Singer: A collaboration with poet & translator AKaiser and her poem, “Astronaut, or Blues Singer” (glint, Milk & Cake Press).

Cami Gliga

Born and raised in Romania, Cami studied the construction of the musical instruments made of wood as part of her Forestry Engineering education. She moved to Canada in 2011 and established Gliga Violins.

Scavenger, Fed: Words By Naakai Addy + Music By Lara Kroeker + Violin solo parts by Cami Gliga + Beatrix McKenzie

Loc Dao

Loc is my partner and when I said I was going away he was a supportive (although I did feel guilty when he showed me pictures of  the cats at the counter with him eating dinner).

He is a trilingual senior creative and technology professional and  helped master and produce all of the songs on the album.  He also added various parts on all of the songs.

Linda Saul 

Linda’s work focuses on landscape in its varieties – urban, rural, coastal and sometimes wild.

Fly to Mars: Artwork in the video were Linda’s sketches of the landscape of Skagaströnd + Violin parts by Beatrix McKenzie  

Damian

Damian is a rapper from Poland who moved to Skagaströnd 10 years ago to work in the bait factory. He lives with his wife and son Filipe (who is the child’s voice on the recording).

Rags of Light: A Collaboration With Beats by Damian + Music By Lara Kroeker + child’s voice by Filipe

Beatrix Mckenzie

Beatrix Mckenzie is a university student and an amazing musician who jumped in to help transcribe notation all of my songs. 

Scavenger, Fed: Words By Naakai Addy + Music By Lara Kroeker + Violin solo parts by Cami Gliga + Beatrix McKenzie 

You Left And Now I'm Thinking

One morning, a group of us were talking about the birds that fly in swarms outside the fish factory and how they look like shoals of fish.

Anne mentioned a friend who had given her a necklace with a fish and how she thinks of her friend every time she sees fish. And now, when she looks at those swarms of fish-like birds, she’s also reminded of that friend.

A few days after that conversation, Anne handed me a poem. It’s a vulnerable thing to give someone a poem. Turning that poem into a song and handing it back is also vulnerable.

But I did, and it’s so beautiful.

A Collaboration With Words by Anne Renahan + Sounds of the Ocean by Dylan Fitzgibbons + Music by Lara Kroeker

Astronaut or Blues Singer

On a snowy evening in Iceland, I returned home from the studio to find that AK~ had left a copy of her book, Glint, on my bed.

I sat on my small bed at midnight, listening to the wind whistling and watching the snow fall, and flipped through the book. I looked for a piece that might work as a song. I landed on a page of words where I could feel Iceland and its loneliness and isolation.

The next day, I started the bones of this song. I got AK~ to listen to ensure the poem’s integrity was not altered. Then I realized that I only took the last page of the poem. I missed the first part (that’s what happens when you do things at 2 in the morning). So I decided to layer those extra words into the background as texture in the song.

A Collaboration With Poet & Translator AKaiser And Her Poem, “Astronaut, Or Blues Singer” (Glint, Milk & Cake Press).​

Found Words

During my residency, I often stayed at the studio late. One night, Dylan and Anne came in too.

We were waiting to see the Northern lights, but it was too cloudy. So instead, we turned out the lights, and I played for them. 

It’s strange to play songs that are not quite finished and perfect. They sat on the couches in the freezer as the snow fell outside. It was so lovely, and because they both understood the creative process, it was easy to repeat sections that were not quite right. The beauty was in the imperfection and that I could share with them (even though it WAS uncomfortable).

After I played one of the songs, Anne told me she found a poem in one of the snow drifts near the studio. She didn’t want to remove it, but she took a picture and sent it to me. Then, I wrote this song.

A Collaboration With Words Found By Anne Renahan + Music By Lara Kroeker​



Scavenger, Fed ​

Collaboration can be scary. But when Naakai reached out to me to express her interest in collaborating, it gave me the courage to express my interest in working together.

We connected on that first day, and then, a few days later, she gave me a beautiful piece of prose to work with. I started randomly playing around, singing the words, and experimenting with different rhythms and layers.

When I use other people’s words, I need to feel a connection with them. This particular set of words became a song about remaking myself. I find that I am always in the process of doing that, which is one of the reasons why I came here — to reconnect with my musical self, embrace it, and share it with others.

A Collaboration With Words By Naakai Addy + Music By Lara Kroeker​

Fly to Mars

“Fly to Mars” is a song about creating those little snippets of experiences that, when collected together, don’t make sense or even go together, but they are what make us whole. 

The inspiration for the video came from Linda’s sketches of the landscape of Skagastrond. When I saw them, I knew I liked them but didn’t know exactly what to do with them. I photographed the sketches and added them all to Premiere, and it all just came together as an animated background. 

I like that idea of putting together random things, and somehow, in the end, it all makes sense. The dancers don’t make sense, and they are from different genres. Still, together, they represent a life that we imagine and create for ourselves — a life that doesn’t fit together perfectly but is somehow beautiful and in sync in its awkward way.

Damian's Song

Naakai met Damian in the local pool one afternoon and mentioned me to him.

He had noticed my equipment in the basement of Bjarmanes and wanted to see if we could play together. Of course, I said yes. I thought that he could put beats on one of my songs.

Damian moved to Skagastrond 10 years ago from Poland to work in the bait factory. He met his wife there, started a family, and created a life here. But he said that what he missed was music. And I felt that.

We experimented for a few hours one afternoon on a song (which didn’t quite work), but he asked if he could come back the next day to try out some ideas for his own rap song. When he returned, I sat beside him and helped put them into Ableton. His son came to watch for a bit, and then he sang the chorus.

A Collaboration With Damian​

Enjoy the Show

“Enjoy the Show” was written a long time ago in Vancouver as one of my first looping songs.

I abandoned it because I felt like it was a little too simple and silly. Since then, I have come around and finished the song while in Iceland.

It’s a song about opening your mind and being in the moment.